Tips and techniques to paint watercolor

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Tips and techniques to paint watercolor

Do not be tempted to simply paint a profile and then fill it out. It reads one of the first lessons that the neophyte painter of watercolors notes in his notebook.

And he writes within him, in haste, a complete recipe book of formulations, contrasts and advice applied from time immemorial by the experts. A little later, forget the notebook. A little later, he loses his notebook. And in his neophyte loss, another new walker finds the notebook again. And open it And there they go. Tips and techniques to paint watercolors.

Watercolor is an ideal medium to capture all kinds of objects, from a leaden storm sky to the passionate tone of a furious petunia. So it’s not strange that many of the artists choose it as their first choice. Even the most awkward childhood has dissolved pigments in the water and then spread them on paper. As adults, the act provokes some rejection if we have never been able to produce acceptable images in the eyes of others. The disappointing sentimental affection of the purser experience.

The mastery of color is crucial if you want to succeed as an artist in watercolors. Many are surprised to see that only a small number of pigments are required on the pallet to produce a wide range of colors. Undoubtedly, the best way to get acquainted with the wide repertoire of effects and tones that watercolor offers us is to take a few sheets of paper and simply devote ourselves to have fun doing experiments. It is convenient to discover that the painting itself has inherent beauty as a vehicle of expression, independently of whether or not it succeeds in creating recognizable images.

First of all, it is important to learn to handle the excess liquid or “deposit” that accumulates in the lower part of the paper after each stroke. This is a fundamental rule to master the flow of paint, an essential requirement if you want to develop this technique. It is also advisable to avoid some guidelines noted on paper, at least in the first attempts at approach, since addressing the watercolor without a previous scheme stimulates the expressive manipulation of the brush.

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